Matthew Passantino

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Review: ‘It’ Will Satisfy Horror Fans

Matthew Passantino

Review: Robert Pattinson is a Revelation in ‘Good Time’

Matthew Passantino

Review: ‘A Ghost Story’ is a Beautiful Examination on Space and Time, Life and Death

Matthew Passantino

Review: ‘Girls Trip’ is the Best Comedy of 2017, So Far

Matthew Passantino

Review: ‘Blind’ is an Ill-Conceived Romantic Drama

Matthew Passantino

Review: ‘The Little Hours’ is a One-Note Sex Comedy

Matthew Passantino

Review: ‘Okja’ is Netflix’s Prized Pig

Matthew Passantino

Review: ‘The Exception’ is Christopher Plummer’s Show All The Way

Matthew Passantino

Review: ‘Wonder Woman’ Rescues the Superhero Genre

Matthew Passantino

Review: ‘War Machine’ Brings Brad Pitt to Netflix With Mixed Results

Matthew Passantino

Review: ‘Guardians of the Galaxy Vol. 2’ is Uneven But Good Enough

Matthew Passantino

Tribeca Review: ‘Permission’ is a Lovely Film About Love and Self-Identity

Matthew Passantino

Tribeca Review: ‘Psychopaths’ is a Fun, Retro Horror Flick

Matthew Passantino

Tribeca Review: ‘Flower’ is Zoey Deutch’s Latest Stop to Stardom

Matthew Passantino

Tribeca Review: ‘Super Dark Times’ is an Enjoyable B-Movie

Matthew Passantino

Review: ‘The Fate of the Furious’ is More of the Same and That’s Okay

Matthew Passantino

Review: ‘The Void’ Takes Off, Misses Landing

Matthew Passantino

Review: ‘The Discovery’ Asks Big Questions, Answers Some of Them

Matthew Passantino

Review: ‘Kong: Skull Island’ Doesn’t Live Up to the Hype

Matthew Passantino

Review: ‘Raw’ is an Uneven Cannibal Coming-Of-Age Story

Matthew Passantino

Review: ‘Logan’ is Tedious and Self-Serious

Matthew Passantino

Review: ‘Get Out’ Brings Thrills and Chills from Jordan Peele

Matthew Passantino

Review: ‘Fist Fight’ is as Lame as Comedies Get

Matthew Passantino

Review: ‘Fifty Shades Darker,’ or the Taming of Mr. Grey

Matthew Passantino